Szépirodalom

illustrated edition with full critical apparatusThe road to the City of Emeralds is paved with yellow brick,' said the Witch

`What is done out of love always takes place beyond good and evil.'Always provocative, the Friedrich Nietzsche of Beyond Good and Evil (1886) is at once sceptical psychologist and philosopher-seer, passionately unmasking European society with his piercing insights and uncanny prescience. This masterpiece of his maturityconsiders quintessential Nietzschean topics such as the origins and nature of Judeo-Christian morality

*A new translation of one of the most influential texts in the history of Western philosophy, including substantial selections from the important Objections and Replies.*The translation pays particular attention to Descartes's terminology and style, with its elaborate but beautifully lucid syntax, careful balancing, and rhetorical signposting. It includes the Third and Fourth Objections and Replies in full, withextracts from the rest.*Wide-ranging and accessible introduction places the work in the intellectual context of the time and discusses the nature of the work, its structure, key issues, and its influence on later thinkers.*The notes clarify the text, indicate points of difficulty and nuances of Descartes's vocabulary.*The text is referenced throughout to the page numbers of the standard edition (Adam and Tannery) which all Descartes scholarship refers to.*The edition includes an up-to-date bibliography, chronology, and index.'It is some years now since I realized how many false opinions I had accepted as true from childhood onwards...I saw that at some stage in my life the whole structure would have to be utterly demolished'In Descartes's Meditations, one of the key texts of Western philosophy, the thinker rejects all his former beliefs in the quest for new certainties. Discovering his own existence as a thinking entity in the very exercise of doubt, he goes on to prove theexistence of God, who guarantees his clear and distinct ideas as a means of access to the truth. He develops new conceptions of body and mind, capable of serving as foundations for the new science of nature. Subsequent philosophy has grappled withDescartes's legacy, questioning many of its conclusions and even his basic approach, but his arguments set the agenda for many of the greatest philosophical thinkers, and their fascination endures.This new translation includes the Third and Fourth Objections and Replies in full, and a selection from the rest of these exchanges with Descartes's contemporaries that helped to expound his philosophy.

*A carefully abridged edition of John Locke's classic work, using P. H. Nidditch's authoritative text and with a new introduction by Pauline Phemister and other features designed to make the text as accessible as possible.*Uses P. H. Nidditch's authoritative 1975 critical text.*New introduction by Pauline Phemister sets the context for Locke's essay and provides an analysis of its arguments and conclusions.*Chronological table of significant events, select bibliography, succinct explanatory notes and an index supply additional historical information and aids to navigating the text.*Sensitive abridgement ensures that all key passages are retained in full and the integrity of individual sections maintained, thus enabling Locke's arguments to be more clearly followed.'I must apply my self to Experience

The most authoritative and accurate critical edition availableMore than a century after the Norman Conquest, England remains a colony of foreign warlords. The dissolute Prince John plots to seize his brother's crown, his barons terrorize the country, and the mysterious outlaw Robin Hood haunts the ancientgreenwood. The secret return of King Richard and the disinherited Saxon knight, Ivanhoe, heralds the start of a splendid and tumultuous romance, featuring the tournament at Ashby-de-la-Zouche, the siege of Torquilstone, and the clash of wills between thewicked Templar Bois-Guilbert and the sublime Jewess Rebecca.In Ivanhoe Scott fashioned an imperial myth of national cultural identity that has shaped the popular imagination ever since its first appearance at the end of 1819. The most famous of Scottish novelists drew on the conventions of Gothic fiction,including its risky sexual and racial themes, to explore the violent origins and limits of English nationality.This edition uses the 1830 Magnum Opus text, corrected against the Interleaved Set, and incorporates readings from Scott's manuscript. The introduction examines the originality and cultural importance of Ivanhoe, and draws on current work by historiansand cultural critics.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth ofother valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Readership: Students of English Literature in their last year of High School/sixth form, undergraduates, and postgraduates.

'To the white men in the waterside business and to the captain of ships he was just Jim - nothing more. He had, of course, another name, but he was anxious that it should not be pronounced.'Lord Jim tells the story of a young, idealistic Englishman - 'as unflinching as a hero in a book' - who is disgraced by a single act of cowardice while serving as an officer on the Patna, a merchant-ship sailing from an Eastern port. His life isblighted: an isolated scandal assumes horrifying proportions. An older man, Marlow, befriends Jim, and helps to establish him in Patusan, a remote Malay settlement. There he achieves a kind of peace, but his courage is put to the test once more.Lord Jim is one of the most profound and rewarding psychological novels in English. Set in the context of social change and colonial expansion in late Victorian England, it embodies in Jim the values and the turmoil of a fading empire. In hisintroduction and notes to this new edition Jacques Berthoud explores the social and cultural dynamics that inform the novel.

*A major new translation of the supreme authority in Islam, published at a time of intense interest in the Islamic religion and the Muslim world.*The translation is accurate, easy to read and free from the archaisms, incoherence, and alien structures that mar most existing translations. It explains stylistic features peculiar to Arabic, and offers solutions to the difficulties of rendering theseinto English. Respect for the immediate context and different aspects of meaning produces greater clarity of meaning

- A new edition of Woolf's iconic essays, classics of feminist literature, in which she argues passionately for women's intellectual freedom and their role in challenging the drive towards fascism and war.- The edition draws upon the latest discoveries in Woolf scholarship, including rediscovered proofs, records of Woolf's research for Three Guineas, publication of the fan letters received in response to the essays and more.- The Introduction considers Woolf's engagement with the issues of the day, especially her involvement with suffrage campaigns, anti-fascist organizations, and her anti-imperial politics.- Full notes identify the many historical, literary, and political references.- Includes the original photographs, Woolf's own notes for Three Guineas, a full chronology of Woolf's life, Biographical Preface by Frank Kermode, and an up-to-date bibliography.New to this edition- New introduction by Anna Snaith, drawing on scholarly developments in Woolf studies, including discovery of the proofs of A Room of One's Own and identification of the photographs in Three Guineas- Revised and updated Select Bibliography.- New and expanded Notes.- Re-set text, and photographs for Three Guineas restored to their original positions.'Intellectual freedom depends on material things. Poetry depends on intellectual freedom. And women have always been poor...'In these two classic essays of feminist literature, Woolf argues passionately for women's intellectual freedom and their role in challenging the drive towards fascism and conflict. In A Room of One's Own she explores centuries of limitations placed onwomen, as well as celebrating the creative achievements of the women writers who overcame these obstacles. In this first history of women's writing, she describes the importance of education, financial independence, and equality of opportunity tocreative freedom. Three Guineas was written under the threat of fascism and impending war. A radical articulation of Woolf's pacifist politics, it investigates the causes of gender inequalities and the ways in which women's historic outsider positionmake them crucial in the prevention of war.Both these works started life as talks to groups of young women, and their engaging wit and informality establish Woolf as one of the twentieth-century's greatest essayists. Their arguments continue to reverberate in feminist discourse to this day.

As the Pargiters, a middle-class English family, move from the oppressive confines of the Victorian home of the 1880s to the `present day' of the 1930s, they are weighed down by the pressures of war, the social strictures of patriarchy, capitalism andEmpire, and the rise of Fascism. Engaging with a painful struggle between utopian hopefulness and crippled with despair, the novel is a savage indictment of Virginia Woolf's society, but its bitter sadness is relieved by the longing for somebetter way oflife, where `freedom and justice' might really be possible.This is Virginia Woolf's longest novel, and the one she found the most difficult to write. The most popular of all her writings during her lifetime, it can now be re-read as the most challengingly political, even revolutionary, of all her books.

'Why does he write those ghastly plays that the whole of Paris flocks to see? And why does he paint such lifelike portraits that everyone recognizes themselves?' Moliere, The Impromptu at VersaillesThis volume brings together four of Moliere's greatest verse comedies covering the best years of his prolific writing career. Actor, director, and playwright, Moliere (1622-73) was one of the finest and most influential French dramatists, adept atportraying human foibles and puncturing pomposity. The School for Wives was his first great success

The story of the wooden puppet who learns goodness and becomes a real boy is famous the world over, and has been familiar in English for over a century. From the moment Joseph the carpenter carves a puppet that can walk and talk, this wildly inventivefantasy takes Pinocchio through countless adventures, in the course of which his nose grows whenever he tells a lie, he is turned into a donkey, and is swallowed by a dogfish, before he gains real happiness.This new translation does full justice to the vibrancy and wit of Collodi's original. Far more sophisticated, funny, and hard-hitting than the many abridged versions (and the sentimentalized film) of the story would suggest, Ann Lawson Lucas'stranslation captures the complexity of Collodi's word-play, slapstick humour, and immediacy of dialogue. An adult reader will recognize social and political satire, and the invaluable introduction and notes illuminate the cultural traditions on whichCollodi drew.

In his writings, David Hume set out to bridge the gap between the learned world of the academy and the marketplace of polite society. This collection, drawing largely on his Essays Moral, Political, and Literary (1776 edition), which was even morepopular than his famous Treatise of Human Nature, comprehensively shows how far he succeeded.From `Of Essay Writing' to `Of the Rise and Progress of the Arts and Sciences' Hume embraces a staggering range of social, cultural, political, demographic, and historical concerns. With the scope typical of the Scottish Enlightenment, he charts thestate of civil society, manners, morals, and taste, and the development of political economy in the mid-eighteenth century. These essays represent not only those areas where Hume's arguments are revealingly typical of his day, but also where he isstrikingly innovative in a period already famous for its great thinkers.

The Oxford ShakespeareGeneral Editor Stanley WellsThe Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the works for modern readers*a new, modern-spelling text, based on the 1623 Folio text*on-page commentary and notes explain meaning, staging, language and allusions*detailed introduction considers composition, sources, and critical and theatrical history*includes full text of Plautus' Menaechmi and extracts from Gesta Grayorum and the Geneva Bible*illustrated with production photographs and related art*full index to introduction and commentary*durable sewn binding for lasting use'not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth-century scholarship.' Times Literary SupplementABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth ofother valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Readership: Scholars, students, readers, performers, directors of Shakespeare

'Believe me, my young friend, there is nothing - absolutely nothing - half so much worth doing as simply messing about in boats.'So says Rat to Mole, as he introduces him to the delights of the river and his friends Toad, the spirit of rebellion, and Badger, the spirit of England. But it is a world where the motor-car is about to wreck the gipsy caravan, the revolutionaries in theWild Wood are threatening the social fabric, the god Pan is abroad, and the warm seductive whispers of the south are drifting into the English lanes.An international children's classic, The Wind in the Willows grew from the author's letters to his young son, yet it is concerned almost exclusively with adult themes: fear of radical changes in political, social, and economic power. Mole's acceptanceinto the conservative world of the River Bank, and Toad's wild attempts to escape from it, are narrated in virtuoso language ranging from lively parody to elaborate fin-de-siccle mysticism. A profoundly English fiction with a world following, it is abook for adults adopted by children, a timeless masterpiece, and a vital portrait of an age.

This edition of one of Dickens's earlier novels is based on the accurate Clarendon edition of the text and includes the prefaces to the 1850 and 1867 editions and Dickens's Number Plans.

'An ancient and ever-altering constitution is like an old man who still wears with attached fondness clothes in the fashion of his youth: what you see of him is the same

The Woman in White (1859-60) is the first and greatest 'Sensation Novel'. Walter Hartright's mysterious midnight encounter with the woman in white draws him into a vortex of crime, poison, kidnapping, and international intrigue. The novel is dominated bytwo of the finest creations in all Victorian fiction - Marion Halcombe, dark, mannish, yet irresistibly fascinating, and Count Fosco, the sinister and flamboyant 'Napoleon of Crime'. A masterwork of intricate construction, The Woman in White sets newstandards of suspense and excitement, and achieved sales which topped even those of Dickens, Collins's friend and mentor.

The Charterhouse of Parma (1839) is a compelling novel of passion and daring, of prisons and heroic escape, of political chicanery and sublime personal courage. Set at the beginning of the nineteenth century, amidst the golden landscapes of northernItaly, it traces the joyous but ill-starred amorous exploits of a handsome young aristocrat called Fabrice del Dongo, and of his incomparable aunt Gina, her suitor Prime Minister Mosca, and Clélia, a heroine of ethereal beauty and earthly passion.These characters are rendered unforgettable by Stendhal's remarkable gift for psychological insight. `Never before have the hearts of princes, ministers, courtiers, and women been depicted like this,' wrote Honoré de Balzac. `Stendhal's tableau has thedimensions of a fresco but the precision of the Dutch masters.'The great achievement of The Charterhouse of Parma is to conjure up the excitement and romance of youth while never losing sight of the harsh realities which beset the pursuit of happiness, nor the humour and patient irony with which these must beviewed. This new translation captures Stendhal's narrative verve, while the Introduction explores the novel's reception and the reasons for its enduring popularity and power.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth ofother valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Readership: First to third-year undergraduate and postgraduate students of French literature, realism in 19th-century literature, history and literature.

What was Shakespeare's attitude to Semitism? The Introduction to this edition of The Merchant of Venice opens by addressing this vital issue raised by the play, and goes on to study the sources, background, and date, includuing a discussion of SigmundFreud's essay on 'The Three Caskets'.Professor Halio interprets the play's contradictions, inconsistencies, and complementarities, especially as these relate to the overarching theme of bonds and bondage. A survey of the play's stage history ranges from discussions of its early staging toimportant twentieth-century productions and performances outside England, particularly in Israel.The text, based on a fresh examination of the early editions, is presented in modernized spelling and punctuation. Unfailingly lucid and helpful, this is an ideal edition for students, actors, and the general reader.

Book Two of Rumi's Masnavi is concerned with the challenges facing the seeker of Sufi enlightenment. In particular it focuses on the struggle against the self, and how to choose the right companions in order to progress along the mystical path. Byinterweaving amusing stories and profound homilies, Rumi instructs his followers in a style that still speaks directly to us. In this volume, stories such as 'Moses and the Shepherd', 'The Foolhardy Man who Trusted a Bear's Good Intentions' and 'Mo'awiyaand Satan' are among the most popular in the entire Masnavi.The most influential Sufi poem ever written, the six books of the Masnavi are often called 'the Qur'an in Persian'. Self-contained, as well as continuing the journey along the spiritual path, Book Two is here translated into rhyming couplets in the styleof Jawid Mojaddedi's prize-winning translation of Book One.

The Sin of Abbé MouretÉmile ZolaValerie Pearson MinogueOxford World's ClassicsA compelling new translation of one of Zola's most powerful novels, the fifth work in his famous Rougon-Macquart series that traces the fortunes of a family over five generations.

The Female Quixote (1752), a vivacious and ironical novel parodying the style of Cervantes, portrays the beautiful and aristocratic Arabella, whose passion for reading romances leads her into all manner of misunderstandings.Praised by Fielding, Richardson and Samuel Johnson, the book quickly established Charlotte Lennox as a foremost writer of the Novel of Sentiment. With an excellent introduction and full explanatory notes, this edition will be of particular interest tostudents of women's literature, and of the eighteenth-century novel.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth ofother valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Readership: The general reader

Rumi's Masnavi is widely recognized as the greatest Sufi poem ever written, and has been called 'the Koran in Persian'. The thirteenth-century Muslim mystic Rumi composed his work for the benefit of his disciples in the Sufi order named after him, betterknown as the whirling dervishes. In order to convey his message of divine love and unity he threaded together entertaining stories and penetrating homilies. Drawing from folk tales as well as sacred history, Rumi's poem is often funny as well asspiritually profound.

*The supposed autobiography of its heroine, Moll Flanders tells the astonishing story of a woman on the make, using fair means and foul to survive in eighteenth-century London.*A key work in the development of the novel, this new edition offers a critically edited text and a wide-ranging introduction.*The introduction looks at the circumstances out of which the novel grew, its strengths and weaknesses as fiction, its reception and influence and the social and cultural issues examined in the novel, including the position of women, the role of religionand providence, and the questionable relationship between crime and its punishments.*Comprehensive notes clarify meanings, allustions, and other references, and note changes between the later editions of the text.*Includes a glossary, and a note on money.*Maps of England, London, and the American colonies.New to this edition*Introduction by Linda Bree, providing a fuller historical context and critical discussion.*Up-to-date bibliography.*New chronology of the author.*New notes, drawing on scholarship of the last 39 years, since the previous edition.*Glossary, note on money, maps.*Reset text.'Twelve Year a Whore, fives times a Wife (whereof once to her own Brother), Twelve Year a Thief, Eight Year a Transported Felon in Virginia, at last grew Rich, liv'd Honest, and died a Penitent'So the title page of this extraordinary novel describes the career of the woman known as Moll Flanders, whose real name we never discover. And so, in a tour-de-force of writing by the businessman, political satirist, and spy Daniel Defoe, Moll tells herown story, a vivid and racy tale of a woman's experience in the seamy side of life in late seventeenth- and early eighteenth-century England and America. Born in Newgate prison, and seduced in the home of her adoptive family, she learns to live off herwits, defying the traditional depiction of women as helpless victims. First published in 1722, and one of the earliest novels in the English language, its account of opportunism, endurance, and survival speaks as strongly to us today as it did to itsoriginal readers.

Richard III is one of Shakespeare's most popular plays on the stage and has been adapted successfully for film. This new and innovative edition recognizes the play's pre-eminence as a performance work: a perspective that informs every aspect of theediting. Challenging traditional practice, the text is based on the 1597 Quarto which, it is argued, brings us closest to the play as it would have been staged in Shakespeare's theatre. The introduction, which is illustrated, explores the longperformance history from Shakespeare's time to the present. Its critical engagement with the play responds to recent historicist and gender-based approaches. The commentary gives detailed explication of matters of language, staging, text, and historicaland cultural contexts, providing coverage that is both carefully balanced and alert to nuance of meaning.Documentation of the extensive textual variants is organized for maximum clarity: the readings of the Folio and the Quarto are presented in separate banks, and more specialist information is given at the back of the book. Appendices also include selectedpassages from the main source and a special index of actors and other theatrical personnel.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth ofother valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Readership: Students, scholars and teachers of all levels, theatregoers

Titus Andronicus was the young Shakespeare's audacious, sporadically brilliant experiment in sensational tragedy. Its horrors are notorious, but its powerful poetry of grief is the work of a true tragic poet.Introducing this edition, E.M. Waith provides a fresh view of the play in its historical context as well as an original discussion of the famous `Peacham' drawing - the only surviving contemporary Shakespeare illustration. An illustrated account ofperformances, notably Peter Brook's production with Oliver as Titus, leads to an assessment of the play's qualities in the light of its critical reception. The eighteenth-century version of the play's probable source is given in one of the appendices.

Uses the first American edition textWhen A Connecticut Yankee at King Arthur's Court was published in 1889, Mark Twain was undergoing a series of personal and professional crises. Thus what began as a literary burlesque of British chivalry and culture grew into a disturbing satire ofmodern technology and social thought. The story of Hank Morgan, a nineteenth-century American who is accidentally returned to sixth-century England, is a powerful analysis of such issues as monarchy versus democracy and free will versus determinism, butit is also one of Twain's finest comic novels, still fresh and funny after more than 100 years.In his introduction, M. Thomas Inge shows how A Connecticut Yankee develops from comedy to tragedy and so into a novel that remains a major literary and cultural text for new generations of readers. This edition reproduces a number of the originaldrawings by Dan Beard, of whom Twain said `he not only illustrates the text but he illustrates my thoughts'.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth ofother valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Readership: Sixth form, high school to postgraduate level for American literature courses

Audiences have always delighted in the robust comedy and verbal inventiveness of The Taming of the Shrew. It has survived many adaptations ranging from, probably, the play printed in 1594 as The Taming of the Shrew through several eighteenth-centuryversions to modern-dress productions and transformations into ballet, musical, film, and opera.Introducing this new edition, H.J. Oliver pays attention to the play's theatrical virtues while also providing a deeply considered study of its textual problems, structural complexities, and interpretive challenges.